Alternative Fuels, brainstorming, Creating Solutions, Creating Solutions That Work, Creativity, Cricket Diane C Sparky Phillips, Cricket House Studios, cricketdiane, Energy, Energy Solutions, engineering energy solutions, harnessing solar power, invention, Inventor, mechanical energy options, original designs, possibilities, real solutions, solar power, Solutions for America, transportation
Focal Point Sun Collector –
Energy Source Possibility –
Created by Cricket Diane C Phillips 072208
fine point upon confined space
typical use of magnifying glass for concentration of light source
air in – heats by sun
Increased pressure by expansion
Increased heat from sun’s energy
air intake = one-way valve
heated air expands when collected sunlight envelopes cavity below collector and bounces around mirrored surfaces (shiny metal interior surface where focus has brought in collected sunlight and heat).
Expanding heated air forces out along narrowed corridor through expansion valve which only opens at a specific pressure point –> creating nozzle bursts of heated air
vacuum thus created sucks in more air to be heated = will result in pulses of air bursts for useful powering / energy to use as propulsion, mechanical motion and to turn generator mechanism for electric power generation.
** another possibility could use the physical expansion of the heated air to convert into motion using a bladder type apparatus that would inflate and act as a bellows or physically move a unit of mechanical system
Written by and created by Cricket Diane C “sparky” Phillips, on July 22, 2008, USA
Cricket House Studios, 2008
ancient sea, Art, Business, Commerce, Creative Energy, Creativity, Cricket Diane C Sparky Phillips, Cricket House Studios, cricketdiane, Energy, Freedom of Thought, How To Create Anything, Illuminati, innovation, Intelligence, Inventions, inventiveness, original designs, Personal Power, Profitability, x3
Creating A Flow
2008, Cricket Diane C Phillips
why – 1
moral dilemmas – 2
importance – 3
methods & process – 4
adjustments to results – 5
other avenues – 6
why it won’t work, regardless – 7
it will work, in spite of – 8
opening the full flow quickly – 9
10 – Strange truths are better than fiction.
11 – How to tell the difference between truth and lies.
12 – Never judge a book by its cover . . .
Creating a flow means in this case, to open the internal and external flows of energies such that they meet and interact freely. To harness this for profit and have fun doing it is the point of this written guideline.
Now, to construct this – I want to use the actual basis of facts that I know already and maybe back it up with information from other sources (maybe).
This is to define what kind of flow is described, however the information could pertain generally to several areas including creativity, energy, money, effort, originality, products, markets, internal landscapes of the psyche, intellectual abilities, psychic and spiritual energies, or I suppose, water given the impetus by removing constraints.
A restrained flow of creativity, originality, thinking, creative energies, spiritual energies, efforts and intellectual abilities is no different than a dam constraining those energies from emerging into the world surrounding it. This isn’t all that complicated. A blank sheet of paper is all that is needed to prove it. Either the flow does or doesn’t happen onto the page. Either it is full, evenly distributed and open or it is not, and is hindered in some way. This is easy enough to find out.
Pick any subject matter at hand, a blank piece of paper and a pencil, begin writing thoughts concerning the subject matter. Come back to it after ten minutes away and add more thoughts. Are the thoughts easy to grab and convey to the paper? Or are they stumbling or fragmented?
1. Why –
There are all sorts of reasons why flows of energy, ideas, innovation, inventiveness and creativity need to be freely flowing and many reasons why it doesn’t happen freely. It could take a lifetime of sorting out the internal subconscious barriers to this flow. In the meantime, a lot more of the efforts could restore an open creative flow and let a historical look decide what had hindered it.
2. Moral Dilemmas –
The real moral dilemma is wanting to do what is in each of us to do while dithering away in a community thoroughly uninterested in it and more fond of the finished product than the process. However, there is a responsibility inherent in what each of us are uniquely suited to do which overrides the status or lack thereof, the wherewithal or lack thereof, the belief of possibility in those around us or the lack thereof, etc., etc., etc. . . . The “slippery slope” of why the individual is not able to freely interact creatively, successfully and inventively is not the real question.
An open flow of energy is a birthright. It happens anywhere in any circumstance by design of the human spirit. Unrestrained, it creates commerce, profits, business, inventions, innovations, efforts, power, elegant solutions, energy to accomplish and wondrous accomplishments. This isn’t random and the will hardly begins to have the ability to harness it. Opening the flow is as simple as creating or deciding upon a target or goal or idea and sometimes, a desire. Maintaining that flow is as concrete as simply not hindering it when it happens.
3. Importance –
Without the input of each individual in some respect, everyone loses and is more vulnerable to the greater needs in the society. There is no way to know which or where or how many will be needed to create workable solutions to critical problems. The unique vantage point, intelligence, common sense, creativity and perspective of the individual standing at the top of a cliff defines elements unseen and therefore unknown to those standing across the field away from the edge or those standing on the rocks below. It is wiser to have all the viewpoints and opinions and ideas from that scenario than to rely only on those camped in the field regardless of their ideologies and status in the group. That is why having a freely interacting flow of energies, creativities, innovations and ideas will always have a critical element of importance to it. No human guess, no matter how relevant and educated can determine which will make the defining difference in the highest survival rate of the group or create the greater good and benefit for all.
Written by Cricket Diane C “Sparky” Phillips, 2008
Cricket House Studios, 07-19-08, USA1
“Creating the Tangible from the Impossible Every Day.”
In response to a news story about the case between Mattel and MGA Entertainment – May 2008
The case is Bryant v. Mattel, 04-9049, U.S. District Court, Central District of California (Riverside.)
Mattel Says MGA Entertainment Hid Origins of Bratz (Update1)
I always just assumed they had stolen them from me. I created the brat kids which you see in these attachments, in 1984. I live in Atlanta suburb, Marietta and have had to live with roommates over the years. I’ve also had some things that were originated by me, walk out with some “friends” that felt money was a little more important than integrity. This was especially true between 1997 and 2001, but not because I was careless with the designs. They’ve been in a notebook of my art from the 1984 – 1985 period of character designs and also in a box which I just took from the attic.
Anyway, I’ve thought the “Bratz” dolls looked an awful lot like my original designs which these are – I also have another one or two in a box of drawings from the same time period. I almost never think, Oh maybe I should show somebody or something, but when I saw the story reported over one of the news stations tonight, I looked it up on your website and it may be that there is a good reason that the alleged “designer” and MGA have differing and changing stories about where they originally got the design.
Okay, so now I’m not sure what to do next, but I suppose it would be good for the judge in the case to see these somehow – to make some educated decisions in the case a little more clear. However, I looked up the case on google and believe it or not, have no idea how to approach the judge or jury to add this evidence or anything. They certainly dressed up the concept and I love the dolls they made from them. But, I really do think that access to my designs may have been the original source of the design.
This attachment set show the designs. Please let me know or send them to the judge in the case, please. Or, I don’t know. And, I’m so smart about some things . . .
Thanks so much,
Cricket Diane C “Sparky” Phillips, 2008
Cricket House Studios